Exit Woodward and Bernstein, enter Jack Bauer. We’re in fantasy land now: all the president’s men can put Humpty Dumpty back together again. We’ll stop those bullets. We’ll put Jack’s skull back together. We’ll restore our timeline. We’ll recriminate. If only in fiction.
Here I endeavor to explore the kachina cult, and how the influence of the West impacted Hopi Pueblo society. It begins as a simple story of a self-contained culture and its traditions, but soon winds through turns of critical theory and art history, arriving at unexpected places. I effort to explore ways and forms in which cultures have continued transformation in postmodern technoculture by using the Mickey Mouse kachina as a paradigm for cultural syncretism. It is a story which advances through narratives at first familiar, then stranger, and familiar again, arriving at an original move, and final speculation on the future of cultural theory.