Tag: American studies

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Koch Crusaders III: Vigilantes Unchained

The following presents further where the character form of the American vigilante hero in our cultural imagination, in film, folklore and in real life, is treated as a kind of convenient danger. An angel to some, a demon to others, living in the edges of society where the moral grey areas of the American frontier still exist, where the man of violence waits for another crisis to put his discomfiting skills to use.

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Koch Crusaders II: Batman and the Conservative Vigilante Hero

The following explores further the character of the conservative American hero from dime novel westerns and detective stories to film noir to the ever popular super hero genre. There emerges the quintessential American hero drawing from all of these action genres the singular influence of Batman.

… D.H. Lawrence may had this heroic ideal in mind when he described in Studies in Classical American Literature, “But have there the myth of the essential white America. All the other stuff, the love, the democracy, the flourishing into lust, is sort of a by-play. The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted”

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Koch Crusaders: The Vigilante Character in American Conservatism

why American culture is tragically obsessed with violence, and the ways which Americans fantasize about using violence personally, socially and politically as a prime principle of cultural power. At question is how we imagine the heroic implementation of violence, and how this implementation of violence has become the bedrock of the American national identity. It reveals what Americans care most passionately about.

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The Gospels of a Mickey Mouse Kachina Doll

Here I endeavor to explore the kachina cult, and how the influence of the West impacted Hopi Pueblo society. It begins as a simple story of a self-contained culture and its traditions, but soon winds through turns of critical theory and art history, arriving at unexpected places. I effort to explore ways and forms in which cultures have continued transformation in postmodern technoculture by using the Mickey Mouse kachina as a paradigm for cultural syncretism. It is a story which advances through narratives at first familiar, then stranger, and familiar again, arriving at an original move, and final speculation on the future of cultural theory.