In place of political power of an enriched citizenry, the firearm, like God and gold, takes on a totemic power, representing the last stand of individual liberty.
There is a similar architecture of doom, a destructo-politics at work here, descending into such tribalism that voters would rather support a pedophile than (shudder) a Democrat. Moore is perfect for Trump’s America where the goal isn’t actually to win or make America great again. The goal is actually to lose …
It’s a dangerous tactic played by the conspiracy-minded, at worst it rattles the saber for war against another nuclear power, fueled by hawks on both sides of the isle. And at least it perpetuates a cynical politics of blame and externalization, a politics of blindness as harmful as McCarthyism, and uses Kremlingate as a cudgel against the alienated populist progressive left.
The Geist, the specter, of Tyler Durden, fueled by the restless spirit of the office park dystopia, is a force personifying much of the malcontents in this age of anger. It’s interesting to place Fight Club not as fiction, but as prophetic documentary evidence of a time and place, a metaphor of the historical present, a world trapped between McWorld and Jihad, between globalism and it’s blowback.
In Pentagon language, the grotesqueries are obviated, decisions of violence taking on an official bureaucratic banalities steeped in Orwellian doublespeak. Likewise, the construction of the myth/ideology of the clean and righteous precision kill continues in the Pentagon’s construction of the narrative of war.
We now live in a kind of ironic time, struggling with the antiquated structure of America with another progressive history of reform – ending slavery, fighting for worker’s rights, women’s rights, civil rights – a legacy of protracted progress of inclusion and living democracy that challenges American democracy – not a a relic of the past but as a projection into the future. It’s worthwhile to remember that every bit of progress of inclusion, equality and fairness has required an enormous overcoming against the violent, reactive and entrenched forces of the managerial class. It comes from the disobedient, from those who fight to help fulfill the promise of self-governance.
The heel is the antagonist who breaks the rules, cheats, sabotages, and nastily takes advantage of his opponents outside the ring. In lucha libre wrestling, heels (rudo) are brawlers fighting with brute forces, often dressing up like devils or tricksters. Trump wears the same suite and tie every day, like portraying this character he invented. And he gets his crowd to boo, hiss, cheer and jeer, to chant “build the wall!” or “lock her up!” and carries on about “Lyin’ Ted” and “Crooked Hillary,” he turns his political opponents into wrestling characters, and brings what might have been reasoned debate to the level of vulgar theater. His opponents were caught flat footed while he stirred the nationalist id. They either never understood what was going on or were not prepared to meet him on the mat.