The ruined malls pierce the consumer cultural veil. Where there was once children lining up to take a picture with Santa now has become a zombified postindustrial space. Some economists are predicting that in five years, half of the 5,000 malls in America will become ghost malls. Santa must find other places I guess.
If left on this path, like a runaway train, like a dinosaur, it’s set on creating in the 21st Century, a new kind of dynastic capitalism which codifies an allowance for the excesses of the robber baron classes with the façade of democracy. We are near, or already in, Elysium, where only the wealthy have access to quality healthcare and can get into Jodie Foster’s cure-all chamber, and education, and where the games of the working class are their entertainment.
The following presents further where the character form of the American vigilante hero in our cultural imagination, in film, folklore and in real life, is treated as a kind of convenient danger. An angel to some, a demon to others, living in the edges of society where the moral grey areas of the American frontier still exist, where the man of violence waits for another crisis to put his discomfiting skills to use.
The following explores further the character of the conservative American hero from dime novel westerns and detective stories to film noir to the ever popular super hero genre. There emerges the quintessential American hero drawing from all of these action genres the singular influence of Batman.
… D.H. Lawrence may had this heroic ideal in mind when he described in Studies in Classical American Literature, “But have there the myth of the essential white America. All the other stuff, the love, the democracy, the flourishing into lust, is sort of a by-play. The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted”
There is a similar architecture of doom, a destructo-politics at work here, descending into such tribalism that voters would rather support a pedophile than (shudder) a Democrat. Moore is perfect for Trump’s America where the goal isn’t actually to win or make America great again. The goal is actually to lose …
why American culture is tragically obsessed with violence, and the ways which Americans fantasize about using violence personally, socially and politically as a prime principle of cultural power. At question is how we imagine the heroic implementation of violence, and how this implementation of violence has become the bedrock of the American national identity. It reveals what Americans care most passionately about.
It’s a dangerous tactic played by the conspiracy-minded, at worst it rattles the saber for war against another nuclear power, fueled by hawks on both sides of the isle. And at least it perpetuates a cynical politics of blame and externalization, a politics of blindness as harmful as McCarthyism, and uses Kremlingate as a cudgel against the alienated populist progressive left.